フランス建築の特性としての層オーダー : フランス王立建築アカデミー(1671-1793)に関する研究その1

概要

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Superimposition of ordres was an important subject for the Academy, while colossal order was denied in the name of beauty and convenience. For the proportion of the heights of two superimposed columns. The Academy denied Vitruvius' 4:3, and admired the proportion such as 16:15, or that which makes the upper column higher than in case of 4:3. The Academy's theory was based on that of the Italian architect Sea-mozzi, but usually authorized by the beautiful proportion found, for example, in the facade of the church of Saint-Gervais in Paris. The refore super-imposition of ordres was. In a sense, seen as a national feature of French architecture which was distinguished from the ancient and the Italian architecture. But it was superceded by the vague of the neo-classicism in which slant order was regarded as a characteristic of the ancient architecture.
社団法人日本建築学会の論文
1994-04-30