建築経験の諸相 : プルーストの『失われた時を求めて』におけるサンティレール教会堂の鐘塔の場合

概要

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This paper aims at a phenomenological analysis of Proust's text concerning the belfry of Saint-Hilaire church in Combray--a small town where the Narrator of "A la recherche du temps perdu" passes, in his boyhood, a never-to-be-forgotten time, and which he later relives in his reminiscence. Saint-Hilaire belfry manifests its presence by its views in the town, its figure in the landscape or its bells ringing through the country. In this way, revealing its being in different modes, the belfry helps the Narrator as well as the inhabitants of Combray to dwell in the profound sens of the word. It is through such a work of man (that can be a work of art) that a human being can be, amid all that takes place, simultaneously "here" and universally "now". Interpretation of this 'experiencing belfry' makes clear that architecture, in its figure, implicates that is set into work in itself, and explicates this as an architectural phenomenon by its manifestations in time and space. Thus architecture comes to form the foundation of human existence in the world.
社団法人日本建築学会の論文
1990-11-30