博物館運営と歴史系博物館展示室内の写真撮影可否の関わりについて

スポンサーリンク

概要

• 論文の詳細を見る

• As lifelong learning has been promoted with increasing vigor in recent years, museums have become increasingly important vehicles for its promotion. We looked at what means are available for museums to increase the number of users, in other words, to "draw customers". Our recommendation is to give positive permission to visitors to take photographs in display rooms. Japan is feared to be behind Europe and the United States in this respect. This study, inspired by such a motive, is an investigation of whether history museums permit photography in display rooms and a subsequent exploration of their ideal form. Questionnaires were sent to about 160 museums across the country, asking whether they permitted photography and reasons. Upwards of 70% responded yes, but permission was restricted to photography for public purposes only. Many did not allow ordinary visitors to freely take photos. When asked about the reasons for banning photography, two issues surfaced: one is the matter of protecting the materials and the other related to those loaned or entrusted. The possibility of dealing with these problems in many cases was indicated methodologically or experimentally. In the final analysis, the raison detre for a museum is availability to users. Increased freedom to take photographs in exhibition halls could lead to an eventual increase in the number of visitors. If more people are to come to museums, a positive approach to museum management is needed, not to mention permission to take photographs. Now, museums are expected to provide visitors increased access to materials.

• 明治大学の論文
• 1998-03-25

著者

• 中台 尚秀

  明治大学博物館事務室

• 熊野 正也

  明治大学博物館

関連論文

• 日本の大学博物館(三・完) : 東海地方以西の四七館および補遺の七館・一九九八年九月
• 博物館法・館長・学芸員 : 生涯教育審議会の答申と文化政策の将来構想を読んで
• 博物館運営と歴史系博物館展示室内の写真撮影可否の関わりについて
• 博物館人としてのE・S・モース
• 市民に親しまれる日本的博物館の構築へ向けての覚書
• 『明治大学博物館研究報告』第五号の刊行にあたり
• 『明治大学博物館研究報告』第四号の刊行にあたり
• 序
• 大学博物館の社会的な係わりとその接点

スポンサーリンク