B06 会津若松の図案家「青木志満六」とその活動 : 大正から昭和初期の会津若松における図案集とその活用(デザイン史, 第54回研究発表大会)

概要

論文の詳細を見る
Shimaroku Aoki's name and work are not known in Aizuwakamatsu instead of his design works. Through the investigations, it is made clear that his designs were not put into the production. The reasons are ; (1) Shimaroku was not remarkable because his term of activity was just between the two big designers -Tokumin Tsuda and Kiichi Harima, (2) while those two were lacquer painter and respected as artists, Shimaroku was not a lacquer painter and not remarked by painters, (3) because he had no experience of lacquer paintings, his design was not suitable for lacquer ware industry, (4) people who related to lacquer industry prefered traditional styles. So that they were not adopted Shimaroku's works.
日本デザイン学会の論文
2007-06-20