ブリューゲルとマニエリスム(橋本孝先生古希記念論文集)

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概要

• 論文の詳細を見る

• 橋本孝先生古希記念論文集The characteristics of Italian Mannerism as represented by Vasari and Bronzino were these ; the flattening of figures, their action in two dimensions, the isolation of principal figures and groups of figures. It was illustrated by Vasari in the explanation of the word " maniera " of his " The Lives of the Painters, Sculptors and Architects" that these characteristics were used for the purpose of creating the graceful figures. The same characteristics mentioned above can been seen in the painting of Pieter Bruegel the Elder, such as " The Battle between Carnival and Lent ", " Children's Games ", " The Peasant's Wedding " and " The Dance of the Peasants ", which he worked out after his journey in Italy. We must, however, emphasize that he did not make use of any graceful figures as his subjects, for he suggested the universal human being in the form of peasants in the same manner as he arranged all sorts of things in nature according to the universal order shown in his landscape painting. Here we can recognize the original quality of Mannerism that Bruegel established in his Flanders.

• 慶應義塾大学の論文

著者

• 八代 修次

  慶應義塾大学

• 八代 修次

  慶応義塾大学文学部(美学美術史学)

関連論文

• Pieter Bruegel : 素描による風景画の一考察
• 光と立体の大宇宙 : ローマで制作三十年を迎えた 辻本和之君
• 本郷新 : 戦没学生記念像わだつみのこえ(文学部創設百周年記念論文集I)
• 草土社の図画教育
• 慶應義塾とイサム・ノグチ
• De Stijlの思想 : Piet MondrianのNeo-plasticism(名誉教授宮崎友愛先生記念論文集)
• レンブラントとCinquecentoの美術(守屋謙二先生古稀記念論文集)
• ブリューゲルとマニエリスム(橋本孝先生古希記念論文集)
• ブリューゲルの素描の世界

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