政治の中の芸術、芸術の中の国民 : 印刷物としての版画と地方の絆(<特集>しまね学の形成に向けて)

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概要

• 論文の詳細を見る

• After the Sino-Japanese war, China, as well as many colonial and semicolonial countries on the Asian continents, came under pressure to achieve social change by making a clean break with their prewar and wartime events in relation to old values, such as feudalism, rural systems, corrupt officials and oppressed peasant situation. Engaging in a multifaceted exploration of the relationships between the Central authorities and rural individuals is crucial to the task of closing the gaps in our collective memories and scrutinizing the ties that bind "the people" with "the state." Suffice it to say this process of re-examination can provide fundamental insight into what a state values most in its relationship with the masses. The Long March and the Great Proletarian Cultural Revolution exerted the great influence on these relationships, and -for better or worse-, formed the national consciousness. The "national consciousness" in particular functions as a critical element in the formation of a state's objectives, social systems, and national identity. The relations or connections binding the memory of a state with the memory of its people can be explained by the history of the values shared by that state and its society. The "good" or desired elements engendered by the history of values function as the driving force of the people for the making "the state", and Chinese woodprintings worked as such elements. Chinese woodprintings, traditionally, functioned as media connect the minorities with central politics. They solidified the ties between rural people and central officials. Apart from legitimation for the minorities, these ties provided a means of improving their understanding of their own relationships for making their state. All relationships have their own history and reason for being. Chinese woodprintings show us one of the most vital history of the relationships.

著者

• 小野田 摂子

  島根県立大学総合政策学部

関連論文

• 戦後復興と環境関連のシステム
• 政治の中の芸術、芸術の中の国民 : 印刷物としての版画と地方の絆(しまね学の形成に向けて)
• 約束 : 第二次世界大戦後の国家間条約の構図と賠償、軍拡への道
• 国家と記憶 : 原因・結果・価値(第I部 北東アジアの国際関係)

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