『別座舗』『炭俵』連句抄

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概要

• 論文の詳細を見る

• This study is to try to elucidate the renkus in the two volumes of "Betsuzashiki" and "Sumidawara" which embody Basho's 'karumi', the last literary style of his works. The kasen 'Ajisai-ya' in "Betsuzashiki" is paid particular attention to and is coupiously annoted so that we many definitely see what relations from the artistic point of view this kasen bears to the other four in "Betsuzashiki". In "Sumidawara" the difference between the kasens 'Ume-ga-ka' and 'Aji-sai-ya' is to be detected-for example, the difference in the treatment of characters in them. And in the kasens 'Aki-no-sora' and 'Kenko-mo', researches are made into how these kasens corre-spond to the new style of 'karumi' by Kikaku and Ransetsu, Basho's leading deciples.

• 横浜国立大学の論文
• 1970-12-25

著者

• 吉田 義雄

  国語国文学教室

関連論文

• 芭蕉連句贅註 : 元祿五年春「両の手に桃とさくら」の歌仙について
• 『別座舗』『炭俵』連句抄
• 『続猿蓑』歌仙考
• 『笈日記』『有磯海』と『続猿蓑』 : 「続猿蓑吟味」補遺
• 『続猿蓑』吟味 : 去来・土芳・許六たちの関はり方について
• 芭蕉連句考

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