A・ケネディの初期戯曲における色のイメージ
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概要
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African American people have pursued their blackness through various art forms. Adrienne Kennedy can be called one of the most unique artists who represent blackness on the stage. Though her protagonists are far from positive black figures which black movement leaders sought in the 1960's and 1970's, they explore into their identity and show the audience what blackness means in America. One of Kennedy's unique characteristics can be found in her use of colors. Her first play Funnyhouse of a Negro especially impresses the audience with its overwhelming contrast of white and black. There is a color hierarchy in the play whose top is white. The heroine admires white European cultures. Nevertheless she is aware that her longing as well as being black causes her agony since she sees unnaturalness in white and black colors of the play. Other outstanding colors are yellow and red. Whereas yellow represents a person who is neither a black nor a white in her early plays, red is the symbol of violence in most of her plays. In A Movie Star Has to Star in Black and White, however, the sheets stained with the heroine's blood become black. Thus Kennedy suggests the stark reality of American society where no other color can exist except for black and white.
- 山梨県立大学の論文
- 2006-03-15
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関連論文
- 娘として母として : ケネディ劇における家族
- アメリカを車で行く : ヴォーゲル劇における自動車と身体性
- ケネディ劇における映画的手法
- ケネディ劇における旅行者とツーリスト
- Symposia第九部門「演劇が描くアメリカ-歴史・メタファー・リアリズム」(日本英文学会第69回大会報告)
- 堀真理子著, 『ベケット巡礼』, 三省堂, 2007, 398pp.
- 書評 Roberta Uno with Lucy Mae San Pablo Burns eds., The Color of Theater: Race, Culture, and Contemporary Performance
- ヴォーゲル劇における移動する登場人物
- A・ケネディの初期戯曲における色のイメージ
- ケネディ劇における回想