東方典礼の美学

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概要

• 論文の詳細を見る

• The aim of our aesthetics of liturgy is to study liturgical phenomena as a whole from the philosophico-theological standpoint of aesthetics. Liturgy is not only a kind of Gesamtkunstwerk, consisting of musical, visual, literary and dramatical arts, but it is, so to speak, a unified whole of arts, science and religion. For instance, Byzantine arts, music and even literature can be well understood only in connection with Byzantine rites. Armenian, Coptic and other Oriental rites also should be investigated. Of primary importance in our study is the expereince of the Oriental liturgy itself. Then, we sholud try philosophical and theological reflection upon, and description and analysis of, those experiences. For these studies, we need much fieldwork together with collecting essential matierials, not only books and pictures, but also records and sound tapes. We don't hope to turn liturgy into aesthetics but to serve it from a philosophico-theological standpoint. Following St. Bonaventura, our aesthetics of liturgy could be a kind of an eschatological aesthetics. We hope we can deal with Budhistic liturgy in our next essay.

• 美学会の論文
• 1964-06-30

著者

• 野村 良雄

  東京芸術大学

関連論文

• 典礼美学における東西(大会報告)
• 東方典礼の美学
• 典礼美学の試み
• 分科会(音楽部門)(美学会第十一回全国大会分科会報告)
• クーマラスワーミ, 『キリスト教と東洋の芸術哲学』, 『自然の芸術への変化』, Ananda K. Coomaraswamy, Christian and Oriental Philosophy of Art.; The Transformation of Nature in Art. N. Y., Dover Publication, 1956, 146p, 245p
• ヴェネチアでの美学シンポジウムをめぐって
• 学としての音楽学と宗教学 : とくに大学論に関連して

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