典礼美学の試み

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概要

• 論文の詳細を見る

• Cult seems to be the alpha and omega of arts. F. W. J. Schelling unged that the Church and her Cult be treated as living works of art, but he could not realize such an aesthetics. Comparative liturgics, which compares mainly Western and Eastern rites of Christendom, is already existing. But in order to study liturgies of various religions as a whole, we need some new method and way of approach. Needless to say we should consult with science of religions, ethnology, musicology, history of art and theology and their results. But aesthetics seems to be most profitable for such an universal and fundamental research of liturgy. Here aestheics means an indispensable foundation of an existential metaphysics uniting mythological and scientifical worlds into a higher synthesis. By the way, our experiment. such as combining Byzantine chanting with liturgical music of Zen temple, has won an unexpected success. We hope our Aesthetics of Liturgy could contribute a little to an Itinerarium mentis ad Deum in modern civilisation.

• 美学会の論文
• 1962-12-30

著者

• 野村 良雄

  東京芸術大学

関連論文

• 典礼美学における東西(大会報告)
• 東方典礼の美学
• 典礼美学の試み
• 分科会(音楽部門)(美学会第十一回全国大会分科会報告)
• クーマラスワーミ, 『キリスト教と東洋の芸術哲学』, 『自然の芸術への変化』, Ananda K. Coomaraswamy, Christian and Oriental Philosophy of Art.; The Transformation of Nature in Art. N. Y., Dover Publication, 1956, 146p, 245p
• ヴェネチアでの美学シンポジウムをめぐって
• 学としての音楽学と宗教学 : とくに大学論に関連して

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