崇高と美の軌跡 : バイロンにおける自己離脱の諸様式
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The gist of Byron's poetics can be defined as a psychological struggle to withdraw himself from himself. This paper endeavors to clarify how his life-long project can be connected to the 18th-century aesthetics of the sublime and beautiful. Despite the perplexing complication of the so-called sublime literature, the kernel of the sublime is still found in Edmund Burke's A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful. I used the book as an authority on which my interpretation of the sublime and beautiful almost entirely depends. I have analyzed Byron's major poems together with some of his minor ones in light of his attempt to attain the state of self-forgetfulness. His letters, journals and biographical facts are alluded to in my effort to show his commitment in this self-salvational enterprise. My major claim put herein is that Byron's delineation of sublime scenes incorporates inevitably the elements of beauty. This clandestine indebtedness to the feminine aspect of the aesthetics illustrates his subliminal craving for his soul's purification in heaven and the absolution of his sins. Byron's poems almost always reflect his personal matters. This private aspect of his works permits the interpretation that his attachment to his personal circle exists behind his luxurious identification with the resplendent sublimity of natural scenes form Childe Harold's Pilgrimage to Don Juan. Juan's visit to England occurs almost at the same period when Byron started his Greek expedition. As to his final mission for Greek independence, I have suggested that his campaign could have been his psychological return to his homeland.
- 1995-11-00
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