伊澤ヱイに関する研究(3)

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The current investigation intended to determine the effect of Ei Izawa's study in Europe especially on her dance performances. For this purpose, her performances before and after study abroad, three each, were reviewed and evaluated. These performances were made available for visual understanding by use of charts and dance notes so that the total picture would be grasped. Each movement, then, was classified from the viewpoint of fundamental movement, and was examined. The dance performances before her study abroad were found to have movements with discontinous rhythms which consisted of poses, jumps with strong accents, locomotive moves that are repeated within a constant rhythm. After reterning to Japan, the dance performances were found to center around swinging moves which consisted of tension, relaxation, snake movements, ballistic moves and steps, and it had succession of various rhythmic moves. The most significant influence Izawa's dance performances received from her study abroad was considered to be Bode's natural gymnastics. In her post-study abroad performances, fundamental body movements were significantly observed. She studied such movements in the gymnastic activity course, like swinging, tension and relaxation practices. Izawa herself once mentioned that Bode's natural gymnastics was the general foundation. From such comments, it was suspected that she was quite eager in learning Bode's principles of natural gymnastics. Further development in such visualization of her dance performances would provide overview of Izawa's dances and its changes in time course.
東京女子体育大学・東京女子体育短期大学の論文

伊澤ヱイに関する研究(3)

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