アナリーゼの試み : 楽想と全容とのアナロジー : (II) C. Debussy: Prelude a l'apres-midi d'un faune (2)

概要

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This is the latter part of the second study in an ongoing research project where I verify and examine by means of analogy the process in which a musical work acquires its proper existential style based on, and stimulated by, the specific characteristics of an underlying musical idea. Following on my last attempt to decipher the metamorphosis of the musical idea on various levels in C.Debussy's Prelude a l'apres-midi d'un faune, my study here focuses on the inquiries into (1) the phases of the "line" created through the entire work, (2) the unique origin of the "MTL-II" in this musical piece: a mode system which I found both latent and revealing in my first part of this study and (3) the various aspects of this system in each section or dimension of the piece. Through these attempts I consider the intended theme of this research.
東京芸術大学の論文