When Shall We Laugh? : THE MERCHANT OF VENICE AS A FESTIVE COMEDY, PART 2
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This article is the latter part of 'When shall we laugh?' : THE MERCHANT OF VENICE AS A FESTIVE COMEDY. You can read the former part in Research Reports of NNCT, 40, No. l (2004). In Chapter I, I've tried to show that The Merchant of Venice is a kind of festive comedy consulting Bakhtin's idea of carnival. In Chapter II, if we examine the characters of The Merchant of Venice from the point of view of carnival, it may be seen that their behavior that seems problematic from the point of view of people of today is actually normal in the world of carnival. By analyzing Bassanio and Portia, Lorenzo and Jessica, and the episode of the rings, I'd like to show that the more the images of carnival characters have, the more they are rewarded. Then we will also investigate the reasons for such treatment of the characters.
- 長岡工業高等専門学校の論文
- 2004-10-30
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関連論文
- 『ジュリアス・シーザー』の祝祭的構造
- YOU HAVE AMONG YOU MANY A PURCHASED SLAVE : THE MEANING OF SOME PROBLEMATIC PASSAGES IN THE MERCHANT OF VENICE
- When Shall We Laugh? : THE MERCHANT OF VENICE AS A FESTIVE COMEDY, PART 2
- When Shall We Laugh? : THE MERCHANT OF VENICE AS A FESTIVE COMEDY, PART 1