離宮『昌徳宮』の形態分析 : 建築形態の重層的展開についての研究その 2
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概要
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The irregular layout and facades of the Changdeok-gung detached palace, reconstructed in 1418-1419 of the Yi dynasty and now only partly extant, is related to "covered and cut across forms" which is visually articulated from specific viewpoints on the line of movement in the main ceremonial area. These forms organize the progressive layering of similar scenes on the "axis of scenes" as a closed system. Each scene is composed of an L-shaped "unit of scene" with a biased center to indicate the transverse direction to the left. Every scene is carried to the rear in succession to punctuate a segmement in the line of movement as a specific area. The notion of layering implies not only that of a fixed picture plane or its repetition by physical exerience, but also that of implicit relationship between elements. The irregular layout and facades are not a grouping by natural conditions, but rather are derived from the constant development of superimposed scenes as explained as follows; 1) the visual blocking of the main palace and its left enfilade by the front gate as the reference to the main palace's location, 2) the transversal and longitudinal juxtaposition of three L-shaped units of scene and their relationship with the golden section, 3) the superimposed repetition of the scene V_2 and the critical layering for the transverse direction, 4) the perspective convergence of scene framed by the front gate and the topological juxtaposition of the L-shaped units of scene which also implicates rotation, 5) the critical moment of rotation caused by the arrangement of the L-shaped unit of scene and wall, and the interpretation of scene as a section at a "spatial inflection point", 6) the longitudinal axiality formed by the visually connected roofs of the main palace and gate, 7) the screen effect created by the full facade of the main palace which negates the sense of depth at the scene V_6, 8) the visual articulation of the one-sided enfilade to the right of the main palace used as a compositional setting and as the matrix of the entire layering. This analysis is mainly based on the plot plan of "Chosen Koseki Zufu (Art and Architecture in Korea; the Pictorial Books)" and the description of "Gungkwal-ji (Architectural Records on Three Palaces)".
- 社団法人日本建築学会の論文
- 1983-04-30