住宅『演慶堂』の形態分析 : 建築形態の重層的展開についての研究その 1
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概要
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The villa Yeonkyoung-dang (1828) in the Changdeok-gung detached palace of the Yi dynasty is an example of autonomous order found in the irregular layouts and facades of Korean architecture relating to axial composition. It shows visual articulation and overlapping on the corners or outlines of its facades from specific viewpoints on the line of movement. This determines the progressive layering of similar scenes on the "axis of scenes". Each scene which is visually cut off has a biased center to the right and a sense of direction to the left. Each is composed to be read with an overall similarity. The notion of layering, in this sense, refers not only to a single "proscenium" from the fixed viewpoint or its repetition by the physical movement along an axis, but also to the arrangement and relationship of elements. The villa's layout is logical and legible in that the signification of the layering of scenes is described on the front facade as well as on successive rows by; 1) the symmetrization of the front by adding the broken surfaces of deeper planes, 2) the connotative division and the separation by the wooden walls in the asymmetrical facade, 3) the divisional repetition of the front facade on the next successive row, 4) the simultaneous realization of the rear and the sequential identity to the front, 5) the visual blocking by the oblique building to the right and the gate to the left to emphasize the horizontal continuity to the left. These variable meanings of superimposition are classified into interceptive, referential, repetitive, compositive, identifiable, and framed or eliminated categories. The layering of superimposed scenes can be conceptualized with Wolfflin's recession concept of "covered and cut across forms", Paul Frankl's visible form of "one image-many images" polarity, and especially Colin Rowe's "phenomenal transparency" as an inberent quality of organization.
- 社団法人日本建築学会の論文
- 1983-01-30