フィレンツェ洗礼堂の第三の扉のパネル浮彫りに於ける空間表現
スポンサーリンク
概要
- 論文の詳細を見る
Ghiberti did not follow L. Bruni's programme, but adopted the ten panels system and put a large visual space upon them. Such an inclination of his can be found in the "malerisch" quality in the Baptism of Christ at Siena. In the 3rd Door, the landscape has integrated the various scenes of the story into one composition temporally and spatially and enriched the narrative quality. These scenes are each allotted the space in layers, and the movement from left to right (or from right to left, then left to right in a zigzag way) narrate the story combining these layers with each other and make us perceive the depth of space. This movement corresponds with the order of the narratives arranged on the Door. "Sehen" starts from the Genesis and stops at the Solomon in which we can few recognize this movement. It is this principle of "Sehen" that gives us the most persuasive power to the story on the Door. The foreground figures from upper Panels to the Mose's & the Joshua's decrease in size gradually and increase about 3 cm in the David's. In this data, we may suppose Ghiberti uses the law of compensation of "Sehen".
- 美学会の論文
- 1961-12-30