ジョット以前 : アッシーシの聖フランチェスコ寺をめぐる研究ノート

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概要

• 論文の詳細を見る

• The works executed by the great, epochmaking artists in their youth always presnt us a very hard problem to solve. Above all we have the greatest difficulty about Giotto's intercourse with his close artists -Cimabue, Cavallini, the Umbrian school, and the Roman school which, it seems to me, played a part in the erection of the S. Francesco basilica and the decoration of it with wall paintings- is not plain enough to us. It is natural, however, that we should continue to do our best to arrive at an approvable conclusion. Even if our view on the possible authorship of frescos in the above basilica is by mere guess, there is no doubt the existence of some connection between Giotto and the works in Assisi. We cannot but think that Giotto's early works which led to his art in Padua and the establishment of formal principles in early Modern art could be produced only in the S. Francesco basilica. For it was in truth the most suitable place for the growth of young Giotto.

• 美学会の論文
• 1965-03-31

著者

• 上平 貢

  京都工芸繊維大学

関連論文

• ティーノ・ディ・カマイーノのフィレンツェ時代(大会報告)
• ジョット以前 : アッシーシの聖フランチェスコ寺をめぐる研究ノート
• イタリア近世初期美術における空間構成の問題
• フィンケルシュタイン, 『美術におけるリアリズム』, Sidney Finkelstein, Realism in Art. N. Y., International Publishers, 1954, 190p.

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