舞踊における発想, 表出およびそのコミュニケイション

概要

論文の詳細を見る
In their experiment, an attempt was made to study the mental activities in the dance composition and its communication through the Galvanic Skin Response, EEG, and Pneumograph. The following results could be obtained; 1) In the earlier period of the dance composition, ehe composer's GSR in imaging the performance had no conspicuous responses. Asner work is nearing accomplishment, remarkable changes were seen in the graph and their patterns of variation were stabilized, and some intengular change in the Pneumograpn appeared always accompanying with thc excitement of GSR. 2) On the EEG, a large amount of the β wave components appeared in the beginning of mental work in composing. But after 14 days, α wave components gradually increased. 3) As other subject repeated to appreciate this dance, the GSR become to show the characterized pattern which is also coincided with composer's one. 4) GSR patterns evoked by only listening the accompanying gmusic alone coincided with one that appeared through the appreciation of performance of dancing without music.
社団法人日本体育学会の論文
1966-09-25