モダンテクニックの教育的意味の形成について : その導入期における実践と報告をめぐって
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概要
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After the war, art education aimed to acquire a wider perspective. This was reflected in the acceptance of modern art. Accepting modern art, art education moved toward a new approach. Practice through modern techniques was considered a new kind of art education. But such practice was misunderstood and severely criticized just because it was a new style. Noriaki Fujisawa and Morikazu Katsuta repeatedly put it into practice in order to remove the misunderstandings and to search for a new way of art education. Mr. Katsuta was searching for some significance as fundamental education in those practices. On the other hand, in connection with children, Mr. Fujisawa came to move towards a new art education that would lead to an improvement in children's expression, playing and imagination. In addition, he, on the basis of an idea of post-war democratic education, planned for art education with a wider perspective, and he went on practicing to make alterations in the former art education.
- 美術科教育学会の論文
- 2004-03-31
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関連論文
- モビールとデザイン教育
- モダンテクニックの教育的意味の形成について : その導入期における実践と報告をめぐって
- 戦後の工作教育の理念性 : 図画工作科の中の工作 : 『スクールアート』をめぐって
- 木の意味 : 工作・工芸学習における材料の位置と周縁について
- 工作の現在 : 工作と工芸