Cultural Adaptaion in West Africa
スポンサーリンク
概要
- 論文の詳細を見る
A Late Stone Age tradition characterized by microlithic tools appears to have originated in the forest region of West Africa. This was later influenced by waves of pottery making and iron technology from across the Sahara. Associated with these influences was the domestication of animals and cultivation of plants. At first, these West African communities were probably composed of sedentary village farmers or nomadic pastoralists who also practiced hunting and collecting. Agriculture appears to have led to population growth and long distance mercantile activities. There is a steady concern with abstract representations beginning with engravings on rocks and ostrich eggshells in the Sahara, followed by the making of clay models of domesticated animals in the grassland zones and then clay figures in human form as represented in Nok art. The evidence indicates that the art traditions were connected with the use of magic or witchcraft and with cosmological beliefs as social markers and as agents of social control.
論文 | ランダム
- 文化政治期における検閲体制と植民地メディア (特集 日本の植民地支配と検閲体制--韓国の事例を中心に)
- 出版・検閲の態様とその遷移--日本から満州国へ (特集 日本の植民地支配と検閲体制--韓国の事例を中心に)
- 序言 (特集 日本の植民地支配と検閲体制--韓国の事例を中心に)
- 特集 日本の植民地支配と検閲体制--韓国の事例を中心に
- ARTS & ENTERTAINMENT 書評 抑圧下イラン国民の本音 My Sister, Guard Your Veil; My Brother, Guard Your Eyes: Uncensored Iranian Voices By Lila Azam Zanganeh『姉妹たちよ、ベールを守れ、兄弟たちよ、目を守れ--検閲されないイラン人の声』ライラ・アザム・ザンガネフ編