重森三玲がみる「雪舟作庭」における地割の「絵画的構成」

概要

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Shigemori Mirei (1896-1975), who was the famous scholar and gardener in Showa era based his theory about Japanese traditional gardens upon a great many on-the-spot investigation of gardens.He described four existing gardens at Jhouei-ji, Manpuku-ji, Iko-ji, and Kyu-kameishibou, as designed by Sesshu. And he supposed that Sesshu designed these gardens by transforming the two-dimensional landscape paintings into the three-dimensional. The aim of this paper is to clarify Shigemoris understanding about "picturesque garden layout by Sesshu". Through detailed investigation into his description in "An Illustration Book on the History of Japanese Garden," vol.3, 4, and "Japanese Garden History Survey," vol.5, 6, 7, we made it clear that Shigemori pointed out following three characteristics some other gardens during Muromachi-era also had (1) - (3), and two peculiar to Sesshu (4-) - (5) : (1) the undulating ground which rises in proportion to the distance from the viewpoint ; (2) the semicircular form of the garden plan ; (3) the space left on this side of the pond ; (4) the space left between garden elements which has picturesque effect as like the shading in India ink drawing ; (5) the detailed correspondence between the composition of landscape paintings and the view of gardens.
社団法人　日本造園学会の論文