第二様式装飾壁面とピナケス
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概要
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The present author considers that the pinakes is not only a painting within mural-painting, but also its decorative motif functions as an architectural one. He has chosen six important wall-decorations, containing pinakes in Pompei such as at the cubiculum of Villa dei Misteri, the oecus of Casa del Criptoportico, the cubiculum of Casa Omerica, caldarium of Casa del Menandro, the cubiculum of Domus Obelii Firmi, and the hall of Aphrodite of Villa from Boscoreale, and two more examples in Rome as the sala di Polifemo of Casa di Livia and the cubiculum B of Villa della Farnesina.The relationship between pinakes and the wall-decoration system of the high period of the second style is considered in the first part. It is concluded that they were one of the decorative motives and that they reflected traditional elements as replicas of original hellenistic paintings as well.In the second part, the two Roman examples of the late second style are discussed as showing a tendancy of the next period of wall-decoration in which the original intent of pinakes as a tableau painting was revived.It can be drawn from the observation of the above-mentioned pinakes that the high period of the second style as the most classical wall-decoration one at the republic and the imperial period is related to the fourth style while the late period of the second style develops into the third style, including the problem of the pinacothecae.
- 社団法人 日本オリエント学会の論文