Antonello da Messina : A Study of Iconography and Influences
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概要
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Vasari attributes the introduction of oil painting in Italy to Antonello da Messina's friendship with Jan Van Eyck in the fifteenth century. Scholars have long questioned whether this friendship existed, but it is apparent that Antonello was one of the first Italian painters to fall under the influence of Flemish painting in the fifteenth century. It is this fact which has taken up the lion's share of scholarly attention over the centuries when it comes to Antonello's work, but only recently has the artist's rich iconographical program attained some scholarly focus. In the following paper we will look at how Flemish influences and others marked this important artist's work in the iconography and other elements of design in two depictions of saints separated by twenty years.1. Introduction2. Saint Jerome in His Study : A Marian Perspective3. Saint Sebastian : The Emphasis on Physicality4. Conclusion
- 2011-02-07
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