高さアクセントの記述 : 段、向き、契機、核など(<特集>アクセントの理論)
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概要
- 論文の詳細を見る
Tables 1, 2 and 3 show the accent patterns of Kyoto Japanese at three stages of its development or simplification. Here H means that the pattern begins with the High Register, while L means that the pattern begins with the Low Register. (The Register is of no use in the description of Tokyo Japanese.) The marks "["and"]" indicate the points of Up-Turn and Down-Turn of the voice pitch. The Down-Turn may be interpreted as the Accent Kernel when it is culminative, that is when it has no cunterpart - Up-Turn, as is the case of Modern Japanese. The letter r in the example of Section 3.1 stands for the Rising Inclination (a rise in an undecided manner), and the letter n expresses the negation of it. In short, n means an almost even tone. The letter t in Section 4.1 means the Tense Inclination, and n here means "not tense" or a slow falling tone.
- 日本音声学会の論文
- 1997-08-30
著者
関連論文
- 坂本清恵著, 『中近世声調史の研究』, 2000年2月29日発行, 笠間書院刊, A5判, 478ページ+8ページ+アート紙写真4ページ, 本体価格16000円
- 最近の首都圏語のアクセント変化
- 南島のw : b、gwへの変化
- 日本語アクセントのトーン性(音声研究の課題)
- Tsutomu Akamatsu, Japanese Phonetics, Theory and Practice, Munchen, Newcastle, Lincom Europa, 1997, xvii+412pp.
- 高さアクセントの記述 : 段、向き、契機、核など(アクセントの理論)