ルーヴル美術館構想の萌芽 : リュクサンブール宮ギャラリーの開設とその機能(一七四七-一七五〇年)

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概要

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• This paper examines the establishment of the Galerie royale au Palais du Luxembourg (Royal Gallery of the Luxembourg Palace), which foreshadowed the Musee du Louvre (Louvre Museum) planned during the reign of Louis XVI (1774-1792). Opened in October 1750, the Luxembourg Gallery is signifi cant for being the fi rst public exhibition of the royal art collection in France. In this paper, the author begins by examining the background and content of the proposals for the creation of a royal art gallery put forth by the art lovers Bachaumont (1690-1771) and La Font de Saint-Yenne (1688-1771), as well as the impact these proposals had on their contemporaries. Subsequently, this paper traces how these proposals led to the realization of an art gallery in the Luxembourg Palace, and provides an explanation of the works which were displayed there. Furthermore, the paper focuses on analyzing the political signifi cance of the Salle du Trone (Throne Room) of this gallery, in which are hung French paintings mainly from the 17th century, with the purpose of showing the important role which the gallery played in developing royal policies for the arts. By means of these examinations, the author reveals that Lenormand de Tournehem, who served as Director-general of the Royal Buildings from 1745 to 1751, balanced the opinions of art lovers like La Font de Saint-Yenne on the one hand with the revival of the classical tradition of historical paintings on the other, in order to establish the predominance of the "French school" of painting. Although this attempt did not have an immediate effect, Tournehem demonstrated the idea of employing the display of art as a device to communicate to the public the political intentions of the government. These were the very same principles inherited by d'Angiviller, Director-general of the Royal Buildings from 1774 to 1791, who promoted the Louvre Museum project.

• 2009-11-25

著者

• 田中 佳

  聖学院大学

• 田中 佳

  青山学院女子短期大学

関連論文

• フランス革命前夜のルーヴル美術館計画(一七五一-一七八九年)
• ルーヴル美術館構想の萌芽 : リュクサンブール宮ギャラリーの開設とその機能(一七四七-一七五〇年)
• ダンジヴィレの奨励制作--自国史への関心と「フランス派」の形成 (「美術に関する調査研究の助成」研究報告) -- (2008年度助成)
• 美術における「公衆」の誕生:一七四〇年代後半の論争を中心に
• La Font de Saint-Yenne : sa vie et son oeuvre(1688-1771)
• フランス革命前夜における美術行政と公衆の相関 : ダンジヴィレの「奨励制作」(1777-1789)を事例として
• アンシァン・レジーム末期の偉人の称揚 : ダンジヴィレの「奨励制作」偉人像と美術館の役割
• 公共美術館の起源をめぐる文化史的考察
• ルーヴル美術館構想における奨励作品の複製版画計画

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