余情の美学 : 和歌における心・詞・姿の連関
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投稿論文序 日本的美意識に通底する余情の感覚1. 言語の構造と機能 a. 選択と結合の構造 b. 言語の詩的機能 c. 意識における相関と反転2. 心と詞の詩学 a. 心と詞の反転的相関 b. 和歌の様式 c. 修辞的異化と感情的同化3. 姿の現象学 a. 動きつつある形としての姿 b. 図と地の相関的反転 c. 叙景と抒情とが交錯する構築的布置結 余情の在処をなす意味と像との間The aim of this paper is to throw light on the Japanese aesthetic consciousness that is characterized by suggestive feeling [yojo] and the dynamic psychic structure of relation and re-verse. For this purpose, I examine the nexus of kokoro (mind, meaning, content, emotion), kotoba (word, phone, form, text) and sugata (figure, style, phenomenon, configuration) in Japanese poetry [waka]. In the first part of this paper, "The structure and function of language", referring to Roman Jakobson's structuralistic theory of language, I discuss the processes of selection and combination that construct a sentence; the functions of language, especially the poetic; and the general structure of consciousness, consisting of relation and reverse. The second part, "The poetics of mind and word", centers on the "reverse-relation" between mind and word, the modes and styles of Japanese short poetry [tanka], and the figurative catabolism and emotive anabolism involved in the aesthetic experience of poetry. In the third part, "The phenomenology of the figure", I deal with the figure as moving form and propose a "relative-reverse" link between figure and ground, drawing on the arguments of Gestalt psychology and phenomenology. I then discuss the configuration in which lyrical feeling and epical scenery intersect. Finally I conclude that the aesthetic consciousness of suggestive feeling operates in reverse between the meaning and the being of a poetic work, according to the associative and empathic structure of the aesthetic experience of the poetic figure.
- 慶應義塾大学の論文
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関連論文
- 阿部次郎と感情移入美学
- 複雑な文化伝統
- 余情の美学 : 和歌における心・詞・姿の連関
- 芸術の再定義
- 大西克禮と超越論的美学 : 美意識論としての美学とその体系化(東部会平成二二年度第一回例会,例会・研究発表会要旨)
- 心理と論理の間 : 美学の超越論的位置づけ(東部会平成二四年度第一回美学会例会,例会・研究発表会要旨)