李光洙の「無情」における結婚観 : 漱石の「三四郎」における結婚観との比較
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概要
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In this paper I focused on the comparisons between typical expressions of Japanese and Korean "new women" around 1910. Soseki sets Mineko as the heroine, an intelligent woman figure in the Meiji era, who would want to live a life in which marriage presupposes love. In Mu Jeng, Lee Kwang Su also tries to show a new value of love, but his evaluation of love proves to be insufficient. Lee concentrates on the birth of his heroine as a patriotic "new woman" who struggles to save the country.