エイゼンシュティン以前(日本映像学会第六回大会特集号)
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概要
- 論文の詳細を見る
Although Eisenstein's 'montage' has been treated almost exhaustively at home as well as abroad, these seems to be still open for further discussion a question how the artist's assimilation, with the insight of a genius, of Western and Russian arts conduced to the innovation of the film art at its early stage. The subject to be discussed here is on the process of his analysis and assimilation of literature, drama and fine arts which extends over the days of "The Battleship Potemkin" and those of "Ivan the Terrible". Two of his writings, "Montage of Attractions" and "Dramaturgy of Cuttings" will be treated with particular attention to 'physical expression' in these arts, which seems to have had no little influence on Eisenstein in his invention of the visual devices so full of power.
- 日本映像学会の論文
- 1981-05-30
日本映像学会 | 論文
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