日本新民謡運動の隆盛と植民地台湾との文化交渉 : 西条八十作「台湾音頭」をめぐる騒動を例として

概要

論文の詳細を見る
The New-Minyo Movement that was centered on the creations of such songwriters as Ujo Noguchi, Yaso Saijo, Hakushu Kitahara, and Shimpei Nakayama, rapidly expanded throughout Japan from the end of the Taisho Period and into the Showa Period with various hit songs like "Habu no Minato" and "Tokyo-Ondo". A new minyo folk song boom also emerged in colonial Taiwan, and many songs were written in there as well. However, due to an overly aggressive strategy and the commercialism of the recording labels, problems of plagiarism also surfaced, such as with Yaso Saijo's "Taiwan-Ondo", an issue that was examined by "Wakakusa", a folk song and ballad magazine in Taiwan. Though this negative side did exist, it is still possible to touch upon a portion of the cultural interaction in East Asia by looking at the international expansion of the New-Minyo Movement.
2008-03-31