芸術体験の中動相
スポンサーリンク
概要
- 論文の詳細を見る
The middle voice, distinct from the active and the passive, is almost forgotten in our days. We could adopt this linguistic category as an alternative category in thinking about the experience of art. According to the linguists' discussions, in the middle voice the subject is inside the process and is affected from it. The process arises of itself without any agent. The middle voice is to grasp a matter not depending on identical terms or units, but starting from an event itself. As the middle voice event takes place, something is slipping off from itself; there is neither 1 nor 2. It concerns between 1 and 2. It is difficult to describe the experience of art in the schema of <<subject - object>> , <<active - passive>> ; both in creation and reception, there takes place something middle. It is also difficult to distinguish the sensible and the signification, the expression and the expressed in the experience; two moments are differentiated and mediated at the same time. In this sense the experience of art seems to be middle. The middle phase in the experience of art is a foundation event from which <<subject - object>> , <<the sensible - the signification>> are deriving.
- 美学会の論文
- 2003-09-30
美学会 | 論文
- ダヴィッド派の中のアングル
- ダヴィッド派の中のアングル(美学会第四十六回全国大会報告)
- アクションペインティングの変容とその政治経済的条件について(第五十八回美学会全国大会発表要旨)
- アウグスティヌスにおける両義性の美学 : 「アウグスティヌス美学」を構築するoxymoron的語法の射程
- ストア学派における詩的言語の位置(美学会第四十六回全国大会報告)