検閲と階級意識の関係 : 1920〜30年代のロンドン,ウエストエンドの場合(イギリス文学系,英文学科創設70周年記念論文集)

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概要

• 論文の詳細を見る

• This article is an attempt at suggesting that the Lord Chamberlain, who had authority over the theatre, and the managers of London commercial theatres during the inter-war period shared the common purpose of preserving middle-class standards in the West End theatre. Section 1 of the article outlines the social background in which the traditional boundaries among social classes had been dissolving, and section 2 gives the reasons why the management of West End theatre were colluding with the Lord Chamberlain to maintain the status quo. In section 3, some examples are given from the archival materials of theatrical censorship that show the censor's incessant efforts in eliminating vulgar elements from scripts. It can be said that, by preventing the speech and manners in the scripts from transgressing the boundaries of middle-class respectability, both the censor and those censored tried to make a clear distinction between social classes.

• 関西学院大学の論文
• 2005-03-15

著者

• 赤井 朋子

  神戸薬科大学

関連論文

• 両大戦間期のイギリス演劇再考 : ノエル・カワードを中心に
• Censorship and the Changing Society : Noel Coward's Fallen Angels
• 検閲と創作 : ノエル・カワードの初期の戯曲をめぐって
• 検閲と階級意識の関係 : 1920〜30年代のロンドン,ウエストエンドの場合(イギリス文学系,英文学科創設70周年記念論文集)
• 1920年代のイギリスにおける演劇検閲批判
• 『ヘンリー六世』と演劇人の自意識

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