藤島武二論(開学記念号)
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概要
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The man and works of Takeji Fujishima were chronologically argued in this paper. In studying his art, which shows us the most profound quality with an excellent technical achievement, the writer laid stress especially on the following five points. First of all, Fujishima's art has something heroic, whose animating effects come from the independent spirt that this stout-hearted artist had kept up to the very end in his real life. Secondly, his works originated in the most pro-found substance. We can attribute it partly to the philosophy of Lao-tze and Chung-tze which this painter had studied from his youth and partly to the various kind of hardships he had experienced, through which he gained the ability to penetrate below the pheno-menal surface into the innermost parts of the world. Another aspect to be insisted on is that every work of his presents us an entity in which the object and the artist himself are inseparably united, and he worked it out in bringing the oriental thought and the occidental technique into harmony. It is to be remembered that this artist was endowed with a proper nature to paint in oils. Fujishima, having a strong constitution, could have a good command of oil colors, in recognizing the solid sense, the space sense and the volume sense of them, to make up a technique well adapted to the objective expression. Finally, it is interesting to take notice that he had acquired in painting the philosophical sense of point which is in common, to a certain extent, with the theore-tical development in nuclear physics in recent times. In his dealing with more or less significant features in landscape, Fujishima made up an original expression that cannot be seen in other painters.
- 札幌大学の論文
- 1968-03-01