フリードリヒ・ジリーの『フリードリヒ II 世記念碑』設計案 : 18 世紀末記念碑建築の造形性と社会性について

スポンサーリンク

概要

• 論文の詳細を見る

• The second competition to design a monument for Frederick II. (the Great) of Prussia in 1796-97 has become an epochmaking event for the architectural design at the end of 18C. in Germany. Especially through designs by C. G. Langhans, H. Gentz and F. Gilly, it was extended to the scale of urban design and its idealistic conception of publicity. Through the process to form the monument by Gilly, that can be analysed from his sketches and notes, the idea of architectural form was radically changed by means of neoclassicism or revolutionally architecture, starting from Winckelmann-aesthetics. The idealistic aesthetics of symbolic form was also introduced through changing the character of the monument to the mausoleum. Gilly's design expressed also social aspects of the modern civic society and the national-state through architectural method, that is the civic and the representative publicity. He designed almost as a free architect depending on his own artistic genius and conception, and wanted the social enlightenment with the notion of public openness and the rational geometric system of urban space. The whole architectural form of monument, on the other hand, respresented the idealistic notion of national society in pyramidal form, through being devided into three levels. The problem to design a national monument acted as a mean to establish the new idea of architecture and urban design in the public space in 19C.

• 社団法人日本建築学会の論文
• 1979-05-30

著者

• 杉本 俊多

  東京大学大学院

関連論文

• K.F. シンケルの『解放戦争記念大聖堂』案 : 19 世紀初期の記念建築の造形性と社会性について
• フリードリヒ・ジリーの『フリードリヒ II 世記念碑』設計案 : 18 世紀末記念碑建築の造形性と社会性について
• 1800年前後の建築的記念碑 : ジリーとシンケルの設計比較 : 建築歴史・意匠
• 4 フリードリヒ・ジリーの建築論 : 18世紀末の体系的建築への志向(歴史意匠・住宅問題)
• ドイツのクラシツィスムスとロマン主義シンケルとその周辺 : 建築歴史・建築意匠

スポンサーリンク