Cross-cultural studies of musical pitch and time

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概要

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• This review describes cross-cultural studies of pitch including intervals, scales, melody, and expectancy, and perception and production of timing and rhythm. Cross-cultural research represents only a small portion of music cognition research yet is essential to i) test the generality of contemporary theories of music cognition; ii) investigate different kinds of musical thought; and iii) increase understanding of the cultural conditions and contexts in which music is experienced. Converging operations from ethology and ethnography to rigorous experimental investigations are needed to record the diversity and richness of the musics, human responses, and contexts. Complementary trans-disciplinary approaches may also minimize bias from a particular ethnocentric view.

• 社団法人日本音響学会の論文

著者

• Stevens C

  Marcs Auditory Laboratories University Of Western Sydney

• Stevens Catherine

  MARCS Auditory Laboratories, University of Western Sydney

• Stevens Catherine

  Marcs Auditory Laboratories University Of Western Sydney

関連論文

• Cross-cultural studies of musical pitch and time
• 音楽における高さと時間についての文化横断的研究(抄訳:山田真司)(音楽音響における最近の話題)

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