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財団法人日本英文学会 | 論文
- "ALICE IN HYSTERIALAND" : WAR AS A TRAVESTY OF NONSENSE IN PAT BARKER'S THE GHOST ROAD
- THE TRIPARTITE TIME-STRUCTURE AND THE PATTERNLESSNESS OF FREE FALL
- Stanley Wells, Shakespeare: For All Time, Oxford University Press, 2003. xxi+442pp.
- THE ANTI-AESTHETICISM OF THE BRITISH MOVEMENT POETS
- Fritz Senn, Inductive Scrutinies, Focus on Joyce, ed Christine O'Niell, The John Hopkins University Press, 1995., xix+252pp.
- IS "CALAMUS" A GAY DISCOURSE? : READING "CALAMUS" (1860) IN THE "ENSEMBLE, SPIRIT & ATMOSPHERE" OF LEAVES OF GRASS
- 1.Emily Dickinsonの詩に於けるNothingについて(研究発表第一室,日本英文学会第52回大会報告)
- OPTICAL INSTRUMENTS AND "COMPOUND VISION" IN EMILY DICKINSON'S POETRY
- Luigi Rizzi (ed.), The Structure of CP and IP : The Cartography of Syntactic Structures, Volume 2, Oxford: Oxford University Press, 2004. 367pp.
- 第4室(日本英文学会第66回大会報告)
- Masatomo Ukaji, Toshio Nakao, Masaru Kajita, and Shuji Chiba (eds.), Studies in English Linguistics, A Festschrift for Akira Ota on the Occasion of His Eightieth Birthday, Tokyo, Taishukan Publishing Co., Ltd, 1997., xvi+1285pp.
- 4. Portia再考 : The Merchant of Veniceの一解釈(第一室,日本英文学会第44回大会報告,雑録)
- THE MERCHANT OF VENICE試論 : PORTIAを中心として
- Measure for MeasureのIsabella再考
- ANTONY AND CLEOP ATRAにおける「高貫性」について
- David Roberts, The Ladies, Female Patronage of Restoration Drama 1660-1700, Clarendon Press, 1989, 188pp.
- 書評 Robert Weimann: Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre
- PLACIDITY AND AGITATION IN COLERIDGE'S POETRY
- THE QUINTESSENCE OF BERNARD SHAW : 石田憲次著, 「バーナード・シヨオ眞髄」, 弘文堂, \3.00(批評紹介)
- 坪内博士のシェークスピヤ改訂 : 坪丙逡遙譯, 『新修シェークスピヤ全集』, 中央公論社, 各册特價\.50(批評紹介)
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