プロデュースという思想--浅野翼を中心に

概要

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Producers have important roles to create various cultural contents. They need not tobe specialists; their need is to be the media that bonds two or more specialties together.Despite the importance of their roles, they have been paid little attention from researchers.In other words, they are invisible section of the “creative class” for Japanese scholars. So,this study makes them visible by the historical method. Its object is one of the most talentedproducers in postwar Japan, Asano Tsubasa(1929-1999). At first, he belonged to musicassociations whose activities were to plan original concerts and present them to members..During his membership, he created remarkable works by mediating specialists whoseideology was both conservative and liberal and whose style both popular and classical. Hisnext work was produced at a pavilion in World Exposition ’70. This exposition was expectedto popularize the new aesthetic sense, and his role in it was a bridge to connect the avangardeartist with the ordinary people attending. Naturally, it is found that both Tsubasa's works,those while affiliated with the association and with Expo’70, had an educational aspect. So Iconclude that the producer is the medium, and the medium is educational.