能の理論における「道」のモデル

概要

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From the late Heian period, Japanese practitioners have written a seriesof works describing their arts. Underlying them is a vision of the arts asmichi, paths through life, an image which implies an underlying unityto all human specializations. This unity resulted in a series of creative intellectualborrowings across different areas of knowledge, and an intenseinvestigation of the processes by which the artist is trained and the artifactis produced, but there is a corresponding lack of aesthetic analysis andlittle interest in the artist as an individual. In this study, the writings offifteenth-century noh actors, Zeami and Zenchiku, are investigated as exemplarsof the intellectual approaches of michi in its formative period. Inclosing the character of writings about michi is contrasted with approachestaken in the European tradition to theorizing about the arts.
International Research Center for Japanese Studiesの論文