制作にかかわる方法論の研究--スティーヴン・ホールについて
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概要
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This paper intends to make a thematic explication of the structure of Steven Holl's methodology in creating his works by analyzing his words. The analysis is made in four chapters: in Chapter I, the structure of Holl's words which means his concept "phenomenal architecture" is explicated with a dichotomous schema. In Chapter II, as suggested by the structure of a schema which explicates the phenomenological reduction, Holl's "physics" and "metaphysics" are explicated schematically, and it is shown that the shift to "metaphysics" from "physics" in Holl is nothing but the phenomenologicaltranscendental shift. In Chapter III, it is clarified that Holl's "idea" is discovered in the shifting process of the phenomenological reduction called "metaphysics", and it is also acknowledged that the "idea" constitutes a counterpart of the "design" which is located in the transcendent-ontical phase. In Chapter IV, as based on the considerations in the previous chapters, and also as suggested by Tomoya Masuda's ontological schema, as well as Masuda's words that describe the schema, thewhole structure of Holl's methodology is explicated with two schemata.
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