ウガンダの首都カンパラにおける若者たちの社会関係 : 現代アフリカのサブカルチャー「カリオキ」を事例にして(特集 研究と実務を架橋する実践的地域研究)
スポンサーリンク
概要
- 論文の詳細を見る
In Kampala, the capital city in Uganda, people enjoy popular entertainment show calledkarioki, which is performed on stage in restaurants and bars with popular music atnight. It has become a craze during the last 10 years. It is performed by groups of about15 men and women in their mid-teens to mid-20s.This article attempts to characterize the social relationships among Kampala youththrough karioki. First, it examines the social backgrounds of karioki performers andshows how a variety of youth participate in karioki. Second, it makes clear how theyform groups in order to perform karioki shows. Third, it describes how a particularday’s performers are determined, and how they make their program.It was found that karioki performers do not form exclusive groups. They moveeasily from one group to another, and sometimes they quit karioki itself, later returningwithout any difficulty. Their grouping is ‘open’ and temporary, and they take it forgranted that they will not develop strong feelings of identity and discipline. They areable to adjust themselves impromptu to abrupt changes in membership of the day’sperformers, as well as unrehearsed alterations in their program.This article discusses these features of Kampala youth’s social relationships in thelight of contemporary subculture studies. It concludes that Kampala youth form highlyfluid groups, and their social relationships are always “unsettled” and instantly createdwithout the participants having identity and/or attributes.
論文 | ランダム
- 松田博公・対談シリーズ 日本鍼灸を求めて(第2回)藤本蓮風--鍼狂人語る
- 清水邦夫研究-初期の戯曲
- 夢野久作『ドグラ・マグラ』「はしがき」（草稿）に関する考案
- ゴーゴリ『狂人日記』--二つの戯曲の狭間で
- 歴史記述のフィクション性と狂人--『ミドロージアンの心臓』と『バーナービー・ラッジ』