『無声詩話』から見る日本南画小史
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概要
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Japanese Nanga-school Painting (or Bunjinga, literati painting) was developed from the first half of the 18th century to the latter half of the 19th century, exactly speaking the end of the World War Ⅱ 1945. It has been so far argued the relationships between the various terms, bunjinga, nanshuga, nanga, both in pre-modern and modern art history. There are many discourses on paintinng in the Edo period, but a few discourses by painter;for example as Nakayama Koyo, Kuwayama Gyokushu, Nakabayashi Chikudo, and Tanomura Chikuden. These are most important documents for developinig the arthistorical researches. Kanai Uju was probably a last painter of literati painting in the Edo period. His discourses on painting (Museishiwa) is well known, but is not unfortunately considerated of its whole descriptions. It was written under the influences of chinese literati art theory and especially《Sanchujinjozetsu》by Tanomura Chikuden in autumn Kaei ６ (1853) in Nikko and published in the Meiji era for the first time. We can understand the special features and opinions of Kanai Uju, together with copism and formalism of literati painting in view of the results of the outlines and descriptions of Museishiwa. Furthermore, we can also discover here the artistic styles and theories of painter and this discourses pointing out the particular complicated circumstances of his masters and same generations in Kanto district; for example as Tani Buncho, Haruki Nanko, Tachihara Kyosho, Watanabe Kazan, Tsubaki Chinzan, Sugai Baikan and Takaku Aigai.
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