《忠度の花》 : 修羅能における生と死2
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概要
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In the Noh play "Tadanori," the play about a warrior Taira no Tadanori, "flower" is the key word. This word is used many times in important scenes, and symbolizes various things in each case. This paper pays attention to this, and investigates what "flower" symbolizes in each scene and what this symbolization means. By doing so, we can see how this work's author, purportedly Zeami, interprets Tadanori's life and death.<改行> Tadanori's ghost appears to a monk, who discarded his "flower" (courtly activities such as waka poetry) because of its vaniry, and recommends him to stay a night under the "flower" (Tadanori's grave). There Tadanori tells him that his mind's "flower" (adherence to waka poetry) tortures him even after his death, and that he wishes to sit on the "altar of flower" (the seat beside Buddha). Yet even so, he claims at the end of the play that "flower" is the lord of the stay that night and the lord of his life.<改行> "Flower" symbolizes, on the one hand, what people should avoid and discard; deep attachment to the courtly activities such as waka poetry, and, on the other, what people should wish and seek; Buddhist salvation. In addition, the fact that "flower" has two sides, positive and negative, is also symbolized by "flower"; the cherry tree in the Surna shore, that stands between the mountain and the sea and so is seen to belong to them both. "Flower," as it is, and whatever it is, goes back to its root - this is Tadanori's assertion, and it also symbolizes his life as a whole.
- 2009-10-31
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