儀式書に見る平安時代の勝負儀礼の勝敗と勝負楽
スポンサーリンク
概要
- 論文の詳細を見る
In three match ceremony like the "Sumai" (相撲) and "Noriyumi" (賭弓) and "Kurabeuma" (競馬), done in the court of the Heian era, "Bugaku" (舞楽) -winner's dance- (勝負楽) was played by Konoehu (近衛府) according to victory. I considered "Bugaku" -winner's dance- in the ceremony books in this study. The "Bugaku" -winner's dance- of the left in the "Sumai" ceremony has been assumed to played "Ryouou"(「陵王」) until the end of ninth century, "Batou" (「抜頭」) after that so far. However, "Bugaku" -winner's dance- wasn't "Ryouou", but "Batou" at the "Sumai" ceremony from the bigining. "Bugaku" -winner's dance- of the right was "Nasori". There were two kinds of "Bugaku" -winner's dance-. One was played by the winner of "Hote"(最手). Another was played by the winner side in the total score. The left played "Ryouou", the right played "Nasori" in the "Noriyumi" and "Kurabeuma" according to total score. There was a great difference in the method of the "Bugaku" -winner's dance- at these three match ceremony between the ninth century and tenth century. This change is related to a big problem like the conversion of ceremony, and the ideal way of the state.
- 2008-12-26
論文 | ランダム
- シリンジポンプの設計・製作(第1報)
- アルテンベルクと映像 : アルテンベルク作品における写真の影響と効果
- 商業施設の開発交通量予測に関する若干の考察
- アルテンベルクと音楽 : 十九世紀末ウィーン市民の音楽生活の背景
- 「京都」における「日本文化」の発見 : 明治期外国人の京都観光と日本の伝統文化イメージの形成をめぐって