唱歌の作歌と御歌所人脈
スポンサーリンク
概要
- 論文の詳細を見る
It is put outside the concern that the Imperial court poets held the school songs under their control. They were the conservative people who tried to defend the tradition of Japanese tanka poetry from the influence of the Christian hymns. The words of school song has been discussed from the perspective of cultivating of moral nature of the child, cultivating his nationality and patriotism. The point of view to maintain the tradition of Japanese tanka poetry in the school songs was missing. From the point of view that the school songs was missing. From the point of view that the school son was born of the conflict with the anti-Christian power to deny the Christianity, which had brought by a Japanese mission, this new perspective becomes important. From the 10th year of Meiji, the school song was made by the various organizations, the Tokyo Women’s Normal school, the Tokyo Metropolitan Government and the Ministry of Education. The Imperial court poets were concerned with the song production of these organizations, and they worked as a songwriter. They did an important function with Ceremony songs for the National holidays, which were decided by law in the 26th year of Meiji.
- 奈良教育大学の論文
- 2006-10-31
著者
関連論文
- バイエル教則本初版本の研究
- 「保育におけるピアノの流行」と保育者養成機関ピアノ教員の関心の在り方との関係について
- 手代木俊一氏の公開質問状への返答
- 19世紀ポナペ島の讃美歌集
- 韓国初期讃美歌の形成と韓国近代歌謡成立
- 19世紀と20世紀初期の日本と韓国の讃美歌とオセアニアの讃美歌との関係
- 音楽のアイデンティティをめぐる断想
- 教育実習における大学院生による支援システムの試み -大学院新設科目「音楽科教育実践演習」の実践-
- 唱歌の作歌と御歌所人脈
- 洋楽導入による異文化適応としての日本人の歌声の変化
- キリスト教宣教と唱歌成立 ― 研究史の批判的概観 その1 ―