「ハムレット」における復讐の扱いについて : 観客の視点から
スポンサーリンク
概要
- 論文の詳細を見る
The audience feels an incompatibility between Hamlet as he is before and as he is after pursuing the task of revenge given to him by the Ghost of his father. But this incompatibility disappears at the end of the play. The incompatibility felt on the part of the audience seems to shed light on the revenge theme in Hamlet. Revenge is, essentially, treated as something that seizes the revenger and that perverts the mind of the revenger. The theme has its variation in the case of Laertes, who, among the three sons trying to revenge themselves because of their father's deaths, changes from an honourable man to a horrible avenger. Hamlet could escape from taking the hideous path of the avenger by the work of "divinity" or "providence". This is why the audience feels an incompatibility in the middle of the play and does not feel it when the hero no longer pursues his revenge personally in the fifth act, where he is to acquire the higher recognition that surpasses the futile world of "an eye for an eye".
- 1984-12-24
論文 | ランダム
- [日本史研究会]大会テーマ 「生きること」の歴史像
- 二〇一一年度日本史研究会大会に向けて
- 書評 桃崎有一郎著『中世京都の空間構造と礼節体系』
- 近代社会の生成に「民衆」をどう位置づけるのか--宮地正人『通史の方法』を読む
- ポツダム宣言受諾時の政治過程に関する再検討