見えない「桜」への生成変化、あるいはテクストの亡霊 : 多声法的カタリによる〈忠度の物語〉の脱時空間化(テーマ論文,<特集>〈見えないこと〉の物語学)
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概要
- 論文の詳細を見る
From Tadanori's death in the Battle of Ichi no Tani (Tadanori's death in volume #9 of the Tale of Heike) and his flight from Kyoto (Tadanori's flight in volume #7), writer will investigae Tadanori as a dead person (as a latent existence recurring to the close relatives in an unreal form). Let "Tadanori" and "Shunzei/Tadanori" of Youkyoku intervene in reading the Tale of the Heike. In both of "Tadanori" and "Syunzei/Tadanori", for Fujiwara no Syunzei had placed Tadanori's waka in the Senzai Wakashuu as author unknown, Tadanori held a grudge and so turned out to a vengeful ghost. However, in case of "Shunzei/Tadanori" having been composed later than Zeami's work of "Tadanori", Shunzei was cast as tsure and waki was Rokuyata who had fought against Tadanori and felled him. As compared to the Noh play scene of carnage, shite of Tadanori altered form to be in such an order like Rokuyata, narrator (a Noh chorus) and a cherry tree, in case of "Tadanori", masterpiece by Zeami. A treatment like this can be called as an achievement of Polyphonic Narrative of Youkyoku but it opposes to Tadanori's comment of "No regret was left." in the volume #7 of "Tadanori's flight from Kyoto" of the Tale of Heike. Writer would like to discuss combining an analysis of the Polyphonic Narrative of the Tale of Heike which narrates the deceased from an angle different from Youkyoku inwith the narrative of Youkyoku and put those two together with intertextuality. The writer will then, try to capture possibility of accepting Tadanori's figure becoming a vengeful ghost as well as possibility of Tadanori floating in the air as unidentified apparition and think about Tadanori leaving far away from the system (or story) the principal is trying to build up.
- 物語研究会の論文
- 2011-03-31
物語研究会 | 論文
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