「最後の晩餐」に見る隠し絵
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概要
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The Last Supper by Leonardo da Vinci depicts Christ and his 12 apostles. During the Italian Renaissance, many artists painted themselves in their pictures. For example, Michelangelo painted his portrait in The Last Judgment, Raffaello did so in The School of Athens, and so on. Is it possible that Leonardo also painted his self-portrait in The Last Supper ? Unfortunately, the true face of Leonardo is not sufficiently known. It has been thought that a face of an elderly man in the drawing of Biblioteca Reale (Torino) is Leonardo's self-portrait, but Robert Pain, a biographer in New York, says that the elderly man may be Leonardo's father because he is too old to be Leonardo. Giorgio Vasari, the Italian biographer and artist, states that Leonardo was beautiful and attractive in his youth. In The Last Supper, a young, rather feminine-looking man to the right of Christ is considered to be John. This essay intends to reveal the possibility that this young John might be Leonardo's self-portrait. The reason is that is face looks like that of John in Leonardo's St John the Baptist, which is rather androgynous, and may be an image of the adolescent Leonardo. In The Last Supper, the second man on Christ's right is considered to be Peter. He looks like the portrait of the elderly man of Torino which was considered to be drawn by Leonardo possibly using his father as a model. Therefore, the model for Peter may also have been Leonardo's father. Traditionally, Peter was supposed to sit on Christ's right and John on his left, but on the contrary, Leonardo painted John on the right of Christ. He may have put John between the usual positions of Christ and Peter to represent Peter and John as father and son.
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