新体操競技の10点満点の分析 : 個人競技

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Full point has recently been seen many times in international competition meets for rhythmic sport gymnastics. The purpose of this study was to analyze what the full point performance is composed of and to consider a direction of rhythmic sport gymnastics. Based on the video films of the twenty third Los Angeles Olympic and forth European Championship Meet, contents of performance, way of using the floor, time length of performance, scores, and number of difficult stunts were analyzed. The performances of five gymnasts such as Aneria Ralenkova, Lilja Ignatova and Diliana Gueorguiva of Bulgaria, Galina Beloglazova and Dalia Kutkaite of the Soviet Union were examined, and Hiroko Yamazaki and Erika Akiyama were compared with them. The result shows that a full point performance is not made from only one element of the composition or difficulty and numbers of stunts. As rhythmic sport gymnastics is said to be an artistic gymnastics, not only the judges but also the spectators' interests are directed toward the performance. A full point performance must involve emotions of judges and spectators. The performance is not only by composition but by execution. Therefore in order to make a full point performance, it is important to enhance the fundamental ability to perform every elements in execution aspect and to make a dramatic performance according to the code of points and with much originality in composition aspect so that it would impress people. Although this study considered the composition aspect of full point performance, it would be necessary to consider the execution aspect in order for the better understanding of rhythmic sport gymnastics.
東京女子体育大学・東京女子体育短期大学の論文

著者

小林由美子
東京女子体育大学

新体操競技の10点満点の分析 : 個人競技

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