浅川伯教の朝鮮工芸論

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概要

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• The purpose of this paper is to analyze theories on Korean folk crafts by Asakawa Noritaka in colonial Korea, to investigate the process of his research and the content of his writings, and to examine the characteristics of his views on Korean tradition as well as Korea itself. Asakawa Noritaka moved to Korea in 1913 and was captured by Korean traditional ceramic art. He spent the following fifty years on studying and researching Korean traditional folk crafts. He found it was crucial to maintain the succession of the Korean cultural tradition and argued that it deserved more respect by both Korean and Japanese people. One of the prominent features of Asakawa Noritaka's theory is that it presumes a complete denial of Japanese colonial dominance. While dismissing the contemporary discourse insisting on Japan's cultural superiority, he instead discovered the very unique characteristics of the energetic Korean people in Korean traditional artworks. Another notable feature of Noritaka's theory can be seen in his respect for Korean cultural tradition and his emphasis on the eternity of Korean traditional folk crafts. Finally, the other feature of Noritaka's theory is its historicity: Noritaka examined the historical relations between Japan and Korea through researching Korean traditional ceramic art. In conclusion, Asakawa Noritaka's theory provides us with a window to the further understanding of the history of Japan-Korea relations from the darkest colonial times to the present.

• お茶の水女子大学の論文

著者

• 李 尚珍

  国際日本学専攻

関連論文

• 浅川伯教の朝鮮工芸論
• 浅川伯教と朝鮮--植民地期の朝鮮陶磁研究を中心に
• キリスト者浅川巧の苦悩--その宗教観を中心に
• 浅川巧--その異文化理解モデルの今日的意義
• 浅川巧の「朝鮮観」--植民地時代におけるその業績を中心に

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