'Sharp-focus' : Realism in Raymond Carver's What We Talk About When We Talk About Love and Selected Paintings of Edward Hopper
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Edward Hopper's landscape is... the great modern city: cafeterias, offices, motels, gas stations. Anonymous places peopled by men and women who are also anonymous, a world of loners, everywhere strangers, above all to themselves..... His realism is mental and reticent: he disturbs us not by what he says but by what he leaves unsaid.
- 1999-03-25
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